CV - This is in Word format that can be saved and printed out as usual from Word. Use the Back button on your browser to return to the webpage.

Biography - This is in Word format that can be saved and printed out as usual from Word. Use the Back button on your browser to return to the webpage.

Promotional Photograph - click on the photo above to go to a full size version, which can then be printed or saved from your browser. Again, use the Back button on your browser to return here.

More Reviews:

"Kennet Opera has a real ensemble approach, so there was fine support from the warm, youthful, expansive voice and stage ability of Alexander Anderson-Hall as Anthony Hope, his voice blending well with Abbie Jones..." Sweeney Todd - Kennet Opera. (Lin Wilkinson, Newbury Weekly News November 2006)

"... engaging personalities Alexander Anderson-Hall and Will Townend are a comedy duo as Ferrando and Guglielmo, revelling in chappish charm and throwing themselves whole-heartedly into the machinations of the plot." Cosi fan tutte - Garden Opera. (Olivia Rowland, Opera Now 2007)

"...Alexander Anderson-Hall sang with immense power and clarity as Prince Tamino..." The Magic flute - Bel Canto Opera. (Simon Lewis, BBC Radio Gloucestershire Theatre and Arts)

"...Alexander Anderson-Hall did an excellent job on "You are my heart's delight with his rich tenor voice..." Tales of Vienna - Opera Galleria. (Derek Ansell, Newbury Weekly News 2007)

"Newcomer Alexander Anderson-Hall and Chris Marlow, fast becoming a Stanley favourite, are in great form in this production as Ferrando and Guglielmo, the tenor and baritone voices blending well. Cosi fan tutte - Stanley Opera. (Mitch Irving, Hinckley Times, April 2009)

"...Alexander Anderson-Hall’s Cecco was the other, sharply-characterised servant... he has a winning stage presence". Il Mondo della Luna - Opera East Productions. (Mark Berry, Seen and Heard International MusicWeb International's Worldwide Concert and Opera Reviews July 2009)

"...As the other half of the spirited double act, Alexander Anderson-Hall proved an accomplished actor, first as the drunken soldier then, hilariously, as Donna Alfonsa the grey-wigged, substitute singing teacher armed with her knitting and clamouring for a cup of tea and a corned beef sandwich in the updated libretto. His voice projected well and he used it expressively". The Barber of Seville - Garden Opera. (Margaret Davies, Opera Magazine November 2009)